Cultural participation is changing—and understanding why is crucial for both sociology and the cultural sector. This PhD project investigates the long-term ageing of cultural audiences, a phenomenon widely observed in the audience for classical music but increasingly relevant for theatres, literature, and even selected rock music genres.
The central aim of the project is to explain why cultural audiences are ageing by developing and applying an age–period–cohort perspective. As a PhD candidate, you will work with rich survey data collected over several decades, contribute to the collection of new survey data on cultural participation, and analyze longitudinal data on cultural participation across the life course. This offers a unique opportunity to combine theoretical sociology, demographic perspectives, and advanced quantitative methods.
Key research questions include:
- How can age, period, and cohort effects be disentangled to understand—and predict—the future of cultural audiences?
- How do cohort differences relate to socialization in the parental home, educational inequality, and cultural capital?
- What role do life course transitions (e.g. family formation, employment, retirement) and changing time constraints play in cultural participation?
- How do inequality and status-seeking shape patterns of cultural engagement across the life course?
Beyond its academic contribution, the project has a societal and policy relevance. The findings will be actively communicated to the cultural sector through presentations, reports, and practitioner-oriented publications, giving you experience in translating academic research into real-world insights.
The project is funded by the Netherlands Organisation for Scientific Research (NWO) and will be carried out at an academic research institute with a strong focus on high-quality, publishable research.
What you will be doingIn this four-year project, you will:
- Carry out cutting-edge academic research within an international team of engaged researchers.
- Publish national and international journal articles, resulting in a PhD thesis.
- Participate in, and present at (inter-)national scientific meetings.
- Contribute to project dissemination activities and communications with the cultural music sector.
- Collect new survey data on the (non)participation in various forms of cultural consumption.